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Joined 1 year ago
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Cake day: June 13th, 2023

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  • It really depends on your taste. If you enjoy pop, 1989 is a good entree. If you enjoy moodier stuff, folklore is not a bad choice. If you enjoy country, try Fearless. You could also just sample some hits and, when you find one that’s ok, try the album it’s on. If you really want to run the gamut, going in chronological order is a good way to see the evolution of her sound and songwriting. The Taylor’s Version albums are worth listening to instead of the originals, though you can skip the bonus tracks if you’re not a huge fan.

    That being said, you could justifiably come out on the other side still not liking her stuff. But I hope you’d at least have an appreciation for the artistry.


  • She may not be your cup of tea, which is totally fine. No music is for everyone. But to say her music is not creative or good like Michael Jackson and Madonna is silly. It definitely reveals an unfamiliarity with her catalog. While I like Madonna, she has not competently covered as much ground as Taylor Swift has been able to.

    I used to not really like Taylor Swift until I actually sat down and gave her music a real listen, then I got what all the hubbub was about. She has a lot of albums for her age, and there’s relatively little filler on them (some have none in my opinion).














  • I agree for any game that’s open world/has side content/etc. I don’t like feeling like I can’t do stuff because the world will end if I take a detour. It’s ok for more linear/on rails games where it builds tension, and there’s nothing else to do.

    I loved Cyberpunk, but that part was annoying. It also made the narrative a little less impactful when I’d spend a while fucking around, and that should mean I’m already dead by now.